6:30pm - Sunday, Jun 23, 2024
All That Jazz
It's showtime folks!
Slick your hair and wear your buckle shoes to The Rio Theatre, June 23 as we celebrate the birthday of the life and legend in the entertainment industry and a man who changed the art of dance forever, Mr. BOB FOSSE. A, 5, 6, 7, 8!
All That Jazz is a 1979 American musical drama film directed by Bob Fosse. The screenplay, by Robert Alan Aurthur and Fosse, is a semi-autobiographical fantasy based on aspects of Fosse's life and career as a dancer, choreographer and director. The film was inspired by Fosse's manic effort to edit his film Lenny while simultaneously staging the 1975 Broadway musical Chicago. It borrows its title from the Kander and Ebb tune "All That Jazz" in that production. The film won the Palme d'Or at the 1980 Cannes Film Festival.
In 2001, All That Jazz was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry.
When he is not planning for his upcoming stage musical or working on his Hollywood film, choreographer/director Joe Gideon (Roy Scheider) is popping pills and sleeping with a seemingly endless line of women. The physical and mental stress begins to take a toll on the ragged perfectionist. Soon, he must decide whether or not his non-stop work schedule and hedonistic lifestyle are worth risking his life.
"A tour de force self-portrait by the brilliant writer-director-choreographer Bob Fosse, as seamlessly impersonated in a career-peak turn from Roy Scheider." (Rotten Tomatoes)
"This is a plausible milestone in the evolution of the Hollywood film, a quivering, pulsating, dynamic, excessive and flawed film that wears its alienation proudly where its heart should be." (Boston Globe)
Sunday, June 23
Doors 6:00 pm | Film 6:30 pm *Start time subject to change. Please arrive on time.
ALL THAT JAZZ (Bob Fosse | 1979 | 123 min | R) Joe Gideon is at the top of the heap, one of the most successful directors and choreographers in musical theater. But he can feel his world slowly collapsing around him - his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.
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